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Cell Phones, iPod, iPhone, Mobile Software, Downloads, Web

This Week in Tech: Apple Approved Spotify App, Confounding Critics


Many online services have tried to drag online one of the last hold-outs of desktop software: the music manager. But the hurdle upon which Last.FM, Imeem, Slacker, and Pandora all stumble is their inability to offer users access to whatever music they want, on-demand, especially in the mobile sphere. Most of the mobile versions of these apps have been relegated to streaming, predetermined playlists and "stations." As such, none of these apps have managed to knock the desktop-based iTunes off its throne.

Spotify, on the other hand, combines the social and, most importantly, free, aspects of these Web apps with the on-demand capabilities of services like Napster. A key element of Spotify's business plan revolves around an iPhone application that will let you stream any song you want over 3G (as long as it's one of the six million for which the company has secured licensing deals). One feature that will make Spotify stand heads above the competition is its ability to cache songs for offline play. That means that even if you venture into the subway or wander outside of your coverage area, Spotify will keep on playing.

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Audio/Video, Web

'Casual' Pirates Courted by Legal Music Streaming Sites

The Internet made pirating music as simple as clicking a few buttons in a program, much to the dismay of record companies around the world. Those same companies tried to control the music through the use of Digital Rights Management (DRM), but failed miserably. Only now are the record companies realizing that a large majority of people only pirate music because it's simply the easiest and most accessible way to find and listen to music. These "dinner party pirates" are not out to prove themselves to anyone, or stick it to the man -- they just want to listen to music. Give them a good solution, and, in theory, piracy will drop while revenue increases.

According to the New York Times, that's exactly what's happening in Britain with young music-streaming start-ups like Spotify and We7, which stream music for free and make revenue through site advertising. These sites have found immense growth in a fairly short amount of time (Spotify's revenues have doubled every month since launching this past February), while studies conducted by research firms Music Ally and Leading Question show that piracy among British teens has dropped almost in half since December 2007. While in no way a full solution to music piracy, the results so far are promising.

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