Compression Ruins New Metallica Album, Some Fans Say

Some Metallica fans are complaining that the band's ninth studio record, 'Death Magnetic,' is -- to borrow from Huey Lewis's 'Back to the Future' character -- just too darn loud, the Wall Street Journal reports.
Since some folks might figure that the pioneering metal band's recordings are supposed to be loud, this grievance warrants clarification. Metallica fans would never lament riffs' being too brutal or vocals' being too gravelly, but they are mourning the fact that the loud-soft dynamics and sonic richness found on the band's seminal records are nowhere to be found on 'Death Magnetic.' The culprit? The increasingly common practice of extreme compression.
Compression, to oversimplify, is a studio process in which softly and loudly recorded sounds are brought to a more equitable level; sound waves that may resemble a stretched-out cotton ball are compressed to look more like a solid block. Intense compression jobs would result, for instance, in a song's delicate bridge sounding just as loud as its bombastic chorus.
While engineers have long used compression to an extent (the reason that the yowls of Led Zeppelin's Robert Plant don't come out distorted), the digital age of music has ushered in this more intense implementation.









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