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Posts with tag digital music

Engadget

Digital Music Sales Surpass CD Sales at Atlantic



Yep, it finally happened. One label has come forward and admitted that, for the first time, digital sales of its music have surpassed CDs. While many pundits asserted that loosing tunes via tiny downloadable files would instantaneously cause the deep-pocketed record labels to crumble as piracy ran rampant, the numbers tell a different story. In fact, music sales overall have declined from $14.6 billion in 1999 to $10.1 billion this year, and it's expected to shrink further.

But for Atlantic, moving tracks on the information superhighway has proven quite successful; last quarter, digital sales accounted for 51% of its revenue, while CD sales still make up over two-thirds of all music sales industry-wide. There's no real indication as to why Atlantic seems to have that digital charm while everyone else is still clinging tight to old world business models, but it's sure nice to see this side of the equation thriving.

Now, about those DRM-free downloads across the board...

[Image courtesy of Dexondaz]

Rock Bands Reimagine Album Art and Liner Notes in the Digital Age

As more and more music is bought (or otherwise acquired) online, physical sales of CDs have plummeted over the past few years and have dragged liner notes and album artwork down with them. But some folks in the music business, while they cope with the decrease in sales, are not willing to let liner notes and artwork go the way of the 8-Track, Reuters investigates.

As Pink and Snow Patrol have already done, the band Fall Out Boy plans to release an iPhone app resembling a CD booklet, prior to the December 16th release of its newest album, 'Folie a Deux.' Featuring the track listings, photos and lyrics of every Fall Out Boy album (as well as links to buy the albums in iTunes), the app doesn't sound all that different from the band's Web site.

Fall Out Boy and its various publicity and management teams, are just now beginning to respond to complaints that music fans have been voicing since, in some small part, the fall of vinyl records.

During the '80s and '90s, as popular musical mediums shrank (vinyl to cassette to CD), the packaging of those albums shrank, too, giving concern to some music lovers who swore that they could barely see or read a CD's diminutive cover art or liner notes. Now that the musical medium of choice is so small that it's invisible, artwork is even more incidental, and liner notes have largely been left behind.

While we do commend Fall Out Boy's attempt at resurrecting this lost art, we're not sure how well this iPhone app will come off. We just hope that some young mind figures out a way to bring album art back, in a significant way.

Otherwise, what will kids in the future look at while they're listening to Led Zeppelin's "Houses of the Holy?" [From: Reuters]

$3,000 Digital Accordion Offers Up a Full Band In Your Hand



For an instrument with such an established history of mainstream popularity and an unparalleled level of cool, the accordion doesn't seem to need any improvements. But Roland recently released the battery-powered FR-2 Accordion, which combines the classic features of the original with new digital enhancements, including built-in drum loops (for adding some percussion to that romantic old tune you'll be playing), MIDI (to add samples), synthesizer additions and a built-in headphone port. Does this mean that Parisian streets with the fabled accordion players are going to suddenly get a lot noisier?

From BoingBoing Gadgets

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Most People Downloading Radiohead's New Album for Free



We reported earlier on Radiohead's bold new experiment in online music sales, letting fans pay anything they like, or nothing at all, to download the band's new album 'In Rainbows.' Initial statistics indicated that hundreds of thousands still downloaded the music illegally, leading some to believe that the experiment had failed. Now, some new statistics are giving a better look at how fans have reacted to the album's release, and lots of analysts are clamoring to give their interpretation of just what the numbers mean.

First, the facts: According to ComScore, 38% of downloaders have paid for the album, but a majority of 62% have so far opted to pay nothing for the thing but still download it legally through Radiohead's site. Of those who did pay, the worldwide average was $6 for the album, while seemingly more generous Americans paid $8.05 on average. The numbers are courtesy of comScore, which maintains a database of two million people who willingly let the Web-traffic-measuring-agency look over their shoulder and watch their every online move. So, it's worth noting that these are not official numbers released from Radiohead.

That said, these stats do give an interesting look at the results of the album, said to have "sold" 1.2 million copies in its first week. If the ComScore numbers are correct, only about 500,000 people actually paid anything for the album. According to the ComScore report, some analysts are are calling those 62% who paid nothing "freeloaders" who are not willing to pay for downloaded music., and that ultimately the music industry needs to change its model to cater to them or die. Other music industry folk -- also quoted in the ComScore release -- believe that this sort of model will be great for established artists, but will injure record labels, which, in the long run, could hurt new talents. WIthout labels, where will new talent be discovered?

We think what's most important is that the fans are happy. It's unclear just how much money the band has made from 'In Rainbows,' so far, but the members of Radiohead have every reason to be quite pleased with how this is all turning out.

After all; 1.2 million downloads for an album that was virtually unadvertised is an impressive feat.

From comScore

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MatchBox Twenty and Others Release Music on USB Drives

Record Industry Releasing Music on USB Drives

Shhh... you hear that? That's the sound of the record industry grasping at straws. The latest desperate attempt to lure in consumers is selling albums on USB drives. This isn't the first time artists have gone the digital drive route, but the move is getting a renewed push from the record industry.

Universal, Warner and EMI have all announced plans to sell music on USB Flash drives. Details are scant, and there's no word on format, bit rate, DRM-or-not... nothing. All we do know is that they'll pack the drives up with extras like videos, desktop wallpapers and icons. We also know that these drives will be more expensive than their CD counterparts. As you can see from the above picture, the drives will come in fan-friendly wristband forms, for starters.

Earlier this year, the White Stripes dropped its latest album 'Icky Thump' on overpriced, albeit cool looking, USB drives. The band was beat to market by the Barenaked Ladies by a full two years, though. Now, Matchbox Twenty is preparing to release its next album 'Exile on Mainstream' on a USB bracelet.

Willie Nelson, the estate of Bob Marley, the Rolling Stones, and UK group the Fratellis all have also jumped on the bandwagon. However we can save the labels some time by letting them in on a secret: no one buys these things.

From Engadget and USA Today

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Ex-Ramone Sues Apple and Wal-Mart



Richard Reinhardt, or, as he's more commonly known, Richie Ramone, is suing just about every company under the sun that offers digital music downloads, including Apple, Real Networks, and Wal-Mart. The former drummer of the seminal 1970s-1980s punk band The Ramones is even going after the estate of Johnny Ramone, the band's late lead guitarist.

What's Reinhardt's beef? According to reports, the suit claims that was no agreement for the digital distribution of the six songs Reinhardt wrote as a member of the Ramones. The songs in question are "Smash You," Human Kind," "I'm Not Jesus," "I Know Better Now," "Somebody Put Something In My Drink," and "(You) Can't Say Something Nice."

Over the four years and three albums, none of the six songs Reinhardt wrote were singles, and yet the guy is demanding $900,000 in back royalties and an injunction against future distribution of his work. Is he out of line? Given the rising stock of Apple and its ilk, we say good for Reinhardt!

From Beta News and AOL Music.

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The New Weapon Against Online Music Theft?

Universal Testing Audio Watermarking System for Digital SongsRecord labels looking to keep their property off of illegal file-sharing networks have begun experimenting with a technology called 'watermarking' as the successor to DRM, or digital right management. DRM is a system of adding a small amount of data to an audio file, which puts draconian limitations on copying, burning, and playback of the material.

Customers dislike these restrictions and hackers have easily broken the protection, making DRM more of a nuisance than an effective anti-piracy tool. With a little extra work, DRM can be easily circumvented by non-hackers as well, thanks to the so-called analog gap. Simply burn your purchased track to a CD, then re-rip in your preferred format and the DRM copy protection is gone. For these reasons, labels and online stores have been abandoning DRM en masse over the past few months. EMI, Universal and Sony are all joining the DRM-free bandwagon, as have countless indies on the completely DRM-free eMusic site.

Universal is now planning to place supposedly inaudible watermarks into the audio itself. Watermark audio is comprised of slight oscillations at frequencies that the human ear cannot detect, but that a decoding device easily can. Because the watermark is placed in the track as audio, simply burning and ripping will no longer work as a means of erasing the extra info slipped in there by the record label. Though watermarks could be used to track individual songs back to pirates and file-sharers, they will not be used for that purpose at first. Instead, Universal will be using the watermarks simply to identify that a track began as a legal download to see if stripping a song of DRM has an impact on piracy.

Activated Content, the company licensing the technology to Universal has posted a 'Third Party Audibility Test,' which says there is no objective evidence that watermark is audible in two test tracks ('Beautiful Women' by Boyz II Men and 'English Roundabout' by XTC). However, a similar watermarking system was tried with the DVD Audio format (music on DVDs) and many audiophiles -- about the only people who bought DVD-A discs -- complained that the watermark was often easy to hear. Whether the audio is inaudible to humans ears or not, the truth is that the original music as it was intended to be heard by the artist has been altered.

But, labels will always want to track and try to dissuade the theft of their content, so for now watermarking seems like the obvious next step after the failure of DRM. Whether or not we'll see a massive backlash or an easy way to break the protection remains to be seen.

From Slashdot and Cnet

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Is The Compact Disc Format Dead?

CDs for sale in Los Angeles
It's no secret that the music industry is hurting. Bad press, easy-to-find free music, and a release calendar consistently filled with nominees for our most irritating song list have cost the major labels dearly. At the same time that the industry as a whole is being yanked down by plummeting CD sales, digital music sales have increased enough to make iTunes the number 3 music retailer behind Wal-Mart and Best Buy.

Apple has taken 9.8 percent of the music market, rolling right past Amazon and Target. We do, however, have a slight issue with how this was calculated. In the study, single song downloads were converted to album sales by assuming every 12 songs sold equaled one album. This isn't an absurd way to calculate the total, but we can't help but feel it's inflating iTunes percentage of the market place.

On the plus side, indie bands are seeing more success. Whether this is part of a backlash against the major labels and their continuous output of safe, bland music, or simply a byproduct of the new reach they have with digital music and iTunes is hard to say.

Some experts are expecting digital music sales to climb 47 percent in 2007 and another 28 in 2008. However, overall music sales are expected to drop by nine percent in each year. What's more, experts estimate that CD sales will drop by 20 percent in the year 2008.

All of this begs the question, is the CD really dead?




From Forbes and Audioholics via Slashdot

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